brayered background

3 STARRY SKIES IDEAS

Honestly, I am not an outdoorsy girl; the family is always teasing me that I need to “get out of the bubble” more often. Which would probably do wonders for my legs, which could use a lot more sun, LOL!

But, I was feeling the nature themes when illustrating and designing for this particular summer release and remembering how last year, we laid out on an airbed in the backyard and gazed up at the night sky, watching the Perseids shoot by . . . Yeah, for real.

Our house is surrounded by very tall evergreen trees, and there are no street lamps in our neighborhood, making it a perfect setting. I used my trusty Speedball brayer to create the sky background, using some dye inks by Concord & 9th (Grapefruit, Stardust ) and Catherine Pooler (Juniper Mist)

TIPS

  • When loading your brayer with ink, always roll and lift, roll and lift (continuous motion), to make sure you get the brayer inked all the way around. Make sure to place scratch paper underneath or you’ll end up with ink all over your work surface. Ask me how I know . . . (face palm)

  • Using the same method of rolling and lifting begin to brayer with your lightest color first, start off the project and roll onto the paper surface, to avoid odd marks to the paper; continue until the brayer goes completely across and off project, onto the scratch paper. If you don’t, you won’t get complete edge-to-edge coverage. Of course, if you don’t want edge-to-edge coverage, disregard.

  • Any excess ink on the brayer can be rolled off onto the scratch paper and then you can load with the next color. You probably won’t need to wash the brayer off until you’re completely done with the last, and darkest, ink color. Less clean-up. Sweet!

  • Want to heat emboss over the top? Well, you can let it sit for a while, OR, if you’re like me (impatient), use your heat gun to “dry” the surface, then pounce it with an anti-static pouch to neutralize any moisture, like oil or lotion from your hands.

  • Blow off or use a soft brush to flick away any excess anti-static powder sitting on the paper surface, then stamp and heat emboss. Why? Because if you don’t, as you press your Versamark inked stamp against the paper, it will collect that excess powder with every impression and transfer it to your Versamark pad when you go to ink up your stamp again. As the powder accumulates into your ink pad, it will become less and less sticky; ink pad no worky after a while!

I had a rare flash of brilliance when designing the Through The Trees die, so you could create two different effects. Using one shape makes it appear you’re looking over a row of trees, but cutting it twice and mounting the two opposite each other creates the visual effect of being in a clearing, surrounded completely by trees, looking up through them at the sky. I really, REALLY love that . . .

Before doing all the white heat embossing, I used a blending brush to apply the Juniper Mist ink around the outer edge of a navy blue panel—it draws the eye towards the sentiment in the center there, and gives it a glowing effect, to emphasize it even more. You could also use black ink, but, I didn’t have any that wasn’t permanent/archival and I really didn’t want to ruin a blender brush with permanent black ink. Just sayin’ . . .

When you don’t have the color of card stock you need in your stash, you can make your own.

MORE TIPS

  • Use a blending brush/tool and ink to coat white or short cut your blending by starting with a colored card stock as your base, to get the color you need.

  • Distress Oxide Ink will give the most opaque coloring; I often use that on 110# Neenah or colored card stocks because it’s a lot less work than using dye inks. Just sayin’ . . . A girl with tendinitis in her arm needs all the help she can get!

  • Depending on the look you’re going for, try watercoloring over a panel of watercolor paper, and die cutting from that after it’s completely dry.

DAAAANG!!! If you’ve made it to the end, you’re a trooper and I hope you got at least one tip or idea you can use!

That’s all I got for now. Thanks for poppin’ in!


Disclosure: Affiliate links to the products used in my projects, that I like and use may be included; I make a small commission when you purchase via those links, at no extra cost to you. Thank you for all your support!

A SHADOW BOX BOOK AND PRESSED PANSIES

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Brandi Kincaid’s Shadowbox Die is such a well-thought out concept; the extra elements for foiling or die cutting a cover label and for foiling the page grooves is brilliant! I ran out of time as I was generating the samples for this release to get to a foiled version, but I’m dying to do it—you’ve got to see how Emily Leiphart foiled her samples. Just stunning!

Sometimes, a monochromatic card is all you need—a little bit of ink blending, masked off in the lower left corner, makes a subtle backdrop for the flowers and sentiment stamped in a darker, more intense hue—the ink blending was done in a combination of Oxide Tattered Rose and Catherine Pooler Bellini and the focal images were stamped with Oxide Spiced Marmalade.

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For this one, I brayered a backdrop starting with Oxide Tattered Rose, then continued with Catherine Pooler Bellini—where the Bellini ink overlapped back onto the Tattered Rose left a different variation of color that I just love! It looks like I used another color of ink, but nope! I finished along the bottom with that Concord & 9th Stardust I adore so much! The sentiment was stamped with C9’s Midnight, which is a rich navy blue and the florals were white embossed onto vellum card stock. I have had great luck using Mini Glue Dots to glue vellum down; when an image has been embossed, there are usually several spots where you can place the glue dots that will be pretty much concealed—I think you’d need a microscope to tell! LOL!

Wrapped those two pieces with my favorite twine, and then popped it up onto a vanilla card base. Turned out dreamy!

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Here’s the front cover of my Shadowbox Book—I used the beautiful hot foil stamp to actually die cut that lovely, leafy label into the cover (quarter sheet of C9 Stardust).

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I used colored pencils to color in the pansies, and as I was assembling everything, realized how cool it would be to have those popped up on a strip of clear plastic; when the card is closed, they lie flat, but as you open the card and the shadow box pops up, so do the flowers because the strip is attached at each end behind the frame of the window. You could certainly just use card stock for that strip, but I love how the acetate just blends in and does not become obtrusive to the overall design.

Want to know a surprising fact about me (the girl who doesn’t like to cook and rarely bakes)? When my daughter was wee little (i.e. 3-6 yrs. old), I’d put together tea parties for her, with vintage china and tea service trays and little finger sandwiches, etc. I went the whole 9 yards with prom dresses, heels, gloves and tiaras I’d found at second hand stores. And, I also kept pots of violas and pansies. I would sugar the violas and pansies and place them atop little cupcakes, covered with a cream cheese frosting . . .

Brandi’s Pressing Thoughts brings back such sweet and happy memories for me . . .

Hope you are having a beautiful day and thanks so much for popping in.